Daylight Moon

Daylight Moon

USA, 2002, 13 Minute Running Time
Genre/Subjects: Animated, Avant Garde/Experimental, Short
Program: Shorts in a Feature-Length World
Language: English

"Hints of a crime drama hang over the generally abstract proceedings in one of the most exhilarating explorations of light, shadow, color, rhythm, and melancholy in recent cinema. It's a virtuosic work of subtlety, seemingly composed of the type of memories Proust termed impressions, which also carry the weight of existence," wrote Chris Stults, film curator at The Wexner Center for the Arts. Says Lewis Klahr: “Of all the films I’ve made using collage … this one gets the closest to what I’m after.”

DIRECTOR: Lewis Klahr

This film is playing as a part of...

  • An Evening with Lewis Klahr

    An Evening with Lewis Klahr

    81 min. Lewis Klahr will be presented with the 2013 Stan Brakhage Award by Phil Solomon on Sunday, November 10, at the Sie FilmCenter following the screening of several of his films. A reception in his honor follows... more

Also by this director

  • Altair

    Altair

    USA , 1995 , 8 min. “Altair offers a cutout-animation version of color film noir. The images were culled from six late-’40s issues of Cosmopolitan magazine and set to an almost four-minute segment of Stravinsky’s Firebird (looped twice) to create a sinister, perfumed world.”—Lewis Klahr... more
  • Elsa Kirk

    Elsa Kirk

    USA , 1999 , 5 min. Lewis Klahr’s “hieroglyphic montage” trilogy began with photo contact sheets of three actress/models the filmmaker found in a New York thrift store. One was named and dated—Elsa Kirk, Feb 22 ’63. “I found myself intrigued by the strong sense of fiction and document in these photos,” says Klahr... more
  • Engram Sepals

    Engram Sepals

    USA , 2000 , 6 min. “A Buddhist noir—the dead body remembers.”—Lewis Klahr... more
  • Her Fragrant Emulsion

    Her Fragrant Emulsion

    USA , 1987 , 11 min. “An obsessional homage to the ’60s B-film actress Mimsy Farmer. The film’s visceral collage images act as a metaphor for sensuality and move in and out of sync with the soundtrack to evoke the distancing and intimacy cycles that are common in love relationships.”—Lewis Klahr... more
  • Pony Glass

    Pony Glass

    USA , 1997 , 15 min. “The story of comic-book character Jimmy Olsen’s secret life. In this 15-minute cutout animation, Superman’s pal embarks on his most adult adventure ever as he navigates the treacherous shoals of early-’60s romance, trying to resolve a sexual identity crisis of epic proportions.”—Lewis Klahr... more
  • The Rain Couplets

    The Rain Couplets

    USA , 2012 , 14 min. “Kiss the Rain and The Street of Everlasting Rain are part of The Rain Couplets, a new subset of my ongoing Prolix Satori project. Like my other Couplets, they grapple with romantic love, time, and the nuances of repetition.”—Lewis Klahr... more
  • Two Hours to Zero

    Two Hours to Zero

    USA , 2004 , 9 min. “Two Hours to Zero is an ecstatic nine-minute Ben Day ballet accompanied by Rhys Chatham’s monumental Guitar Trio. Pure Pop for Noir people.”—Chris Stults, Film Comment... more
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